Trained as an architect, the Croatian-born artist Dora Budor regards buildings and institutions as tectonic, infrastructural, and gendered systems. Against the aesthetic pursuit of making buildings, she commits to a politics of selectively taking them apart. In Continent, Budor introduces a crisis to Peter Zumthor’s building, probing its physical intactness through a series of interventions that foreground concealed operations, force external structures inwards, and make the invisible resonant.
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An exhibition catalogue was published on the occasion of the exhibition. Order here.
Image credits: Dora Budor, Continent, Kunsthaus Bregenz, 2022, installation view. Photo: Markus Tretter.